The World as Theater, the Theater as World. On Scenography as an Expanded Epistemology in Massimiliano Ciammaichella’s Research = Il mondo come teatro, il teatro come mondo. Sulla scenografia come epistemologia espansa nel lavoro di ricerca di Massimiliano Ciammaichella

The book by Massimiliano Ciammaichella titled Scenography and Perspective in Sixteenth and Seventeenth centuries in Venice. Preconditions and Developments in the Baroque Theatre [Ciammaichella 2021] presents on its cover a digital drawing by the author, an axonometric section of the ephemeral wooden theater designed by Andrea Palladio for the Antigono, staged in Venice in 1565.