Publication Date:
2025
abstract:
The essay analyze show the exceptional high-tide events that occurred in Venice in 1966 and 2019 can be considered as two historical moments when the representation of the lagoon ceased to adhere to a “classical” cinematic-photographic logic. Starting from the “ecstatic” dimension of the two acqua granda phenomena, the contribution seeks to highlight the water's ability to act as an elemental medium capable of challenging a premeditated imaginary of the catastrophe.
Iris type:
1.1 Articolo su Rivista
Keywords:
Venice; Elemental media; Premediation; Acqua granda; Assemblage
List of contributors:
Arillotta, Simona
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